Treasures of JapanA catalogue of Japan's designated cultural properties 2,690 works catalogued

Home › Browse › Calligraphy & Books › Heian period › Commentary on Vajracchedikā-sūtra, by priest Kūkai

National Treasure

Commentary on Vajracchedikā-sūtra, by priest Kūkai

空海筆 金剛般若経開題残巻(三十八行)
Commentary on Vajracchedikā-sūtra, by priest Kūkai (空海筆 金剛般若経開題残巻(三十八行))
PLATE IImage: Nara National Museum, via ColBase — CC BY 4.0
Details below ↓

Details — at full resolution

Detail 1 of Commentary on Vajracchedikā-sūtra, by priest Kūkai
DETAIL 1 — a section of the work at full resolution (cropped).
Detail 2 of Commentary on Vajracchedikā-sūtra, by priest Kūkai
DETAIL 2 — a section of the work at full resolution (cropped).
Detail 3 of Commentary on Vajracchedikā-sūtra, by priest Kūkai
DETAIL 3 — a section of the work at full resolution (cropped).
At a glance — Calligraphy & Book · Heian period, 9th century · held by Nara National Museum · designated National Treasure of Japan.

Fact Sheet

Designation
National Treasure (国宝)
Date
801–900
Dimensions
H 28.1, W 131.8
Catalogue ID
cobas-14987

Find more

{i=>[Diamond Sutra, Vajracchedikāprajñāpāramitā-sūtra, Jingang borepoluomiduo jing, Kongō hannya kyō], content=>[This explanation of the , (Skt. , ; Ch. , ; J. , ) is written by Kūkai (774–835) himself. The traces of revisions and corrections indicate that he wrote this as a draft version of his explication. It includes sharp and ethereal writing in both cursive (grass script) and semicursive (running script) calligraphic styles. Kūkai was famous not only for founding Shingon, but also as a calligrapher; he is known as one of the “Three Brushes.” Here we have the chance to experience his exceptional skill.]} {br=>[[], []], content=>[This scroll contains the explanatory comments by Priest Kūkai (774-835) on the Nōdan Kongō Hannya-kyō (Vajracchedikā sūtra), which was translated into Chinese by Gijō.

The comments were made from the viewpoint of esoteric Buddhism. Many corrections of and additions to the text prove that this scroll is a handwritten draft written by Kūkai himself. The brush strokes are light and lively and show Kūkai's talent in calligraphy., It is conceivable that this scroll had originally been kept in Daigo-ji temple. The original scroll was cut into segments long ago. The segment of thirty-eight lines introduced in this article was handed from the Arisugawa imperial family to the Takamatsu imperial family., When Fujiwara-no-Kadonomaro held a Buddhist service for the copied Kongō Hannya-kyō sutra on October 25, 813, Priest Kūkai wrote a prayer. The explanatory comments were probably written on that occasion.]}

— Museum description: Nara National Museum (CC BY 4.0), via ColBase / Japan Search.

Record & Sources

Cite this page: “Commentary on Vajracchedikā-sūtra, by priest Kūkai(空海筆 金剛般若経開題残巻(三十八行)).” Treasures of Japan, catalogue no. cobas-14987. Nara National Museum. https://treasures.yamato-kenkou.com/treasures/commentary-on-vajracchedik-s-tra-by-priest-k-kai/ — entry last verified 1 November 2026.
Full record data (as published in the official catalogue record)
  • Cultural property designation: National Treasure
  • Genre: Writings
  • Category: Calligraphy:Category:Books:Buddhist texts
  • Material: Hanging scroll, ink on paper
  • Size: H 28.1, W 131.8
  • 員数: 1巻
  • 分類: 書跡
  • 種別: 書跡:分類:典籍:仏典
  • 品質形状: 紙本 楮紙 墨書 巻子 無界
  • 法量: 縦28.1 横131.8

Also at the Nara National Museum More →

More calligraphy & books of the Heian period More →

Advertisement